History
Dzherelo Pavilion is located in the Shevchenkivskiy district near the Golden Gate in the cozy courtyard of the former Kyivproekt. The experimental late modernist project of Dzherelo sends viewers to different styles and even periods. Outside, the 4 brick towers that support the flat roof reminiscent of the tectonics of medieval fortresses. Inside, the square plan is framed at the corners by round rooms of 2.5 meters a diameter, where metal bowls were installed, similar to ancient sanctuaries dedicated to the water element. Such various sensations from one building are close to the concept of architectural folly. In architecture, a folly is a building constructed primarily for decoration, but suggesting through its appearance some other purpose, or of such extravagant appearance that it transcends the range of usual garden buildings. Usually, these funny or extravagant buildings were designed for purposes other than those indicated by their design or appearance. Dzherelo was a folly of the mid-90s in Kyiv. Currently, there are no analogs of the architecture of such a building in Ukraine. However, in the period after the Chornobyl catastrophe, the «Khreschatyk» newspaper published a selection of new addresses of open pump rooms in each issue, according to the city plan : ’’Pavilions with potable free water in each neighborhood.’’ Thanks to the initiative and persistence of Oleksandr Omelchenko (head of the Kyiv City State Administration 1996-2006), pump rooms have appeared in all districts of the city, as the former head of Kyiv stated: ‘‘we will build as many as we need’’. In the issue of the Khreschatyk newspaper for Thursday, July 2, 1998, in the Clean wells column there is a mentioning of the pump Dzherelo room. Although residents of the Starokyivskyi district (modern Shevchenkivskyi) claim that they collected water here already in 1997, this publication in the newspaper is still the only recorded memory of the Dzherelo history: “Local authorities are doing a good job of building modern wells for the use of drinking water from underground sources. Last Sunday, a public pump room for drinking water was opened in a solemn atmosphere in the Starokyivskyi district of our city at 16 Bohdana Khmelnytskoho Street. The place is attractive, quiet, in the yard of Kyivproekt, and the builders of the trust ‘‘Kyivmiskbud-2’’ made an effort: the building above the pump room is beautiful, comfortable, strong. The Italian equipment allows supplying drinking water from a depth of three hundred meters directly to the tap, without tank sludge. This ensures the state of the water. ”Unfortunately, the Italian equipment could not withstand the peculiarities of local water. As the worker who serviced this pump room admitted in an interview to ’’Zerkalo Nedeli’’ on October, 15th, 1999: ’’The water here is high in iron salts. From the well located under the Kyivproekt building to the taps about a hundred meters, and the pipes are old and rusty. No matter how much you wash them, it doesn’t help.’‘ Therefore, the Dzherelo folly of the city government worked intermittently for only a few years and its function was completely lost over the next 30 years. The water stopped flowing from the taps, finishing materials from the ceiling began to disappear golden slate and the granite from the stairs and only pipes remained from the metal water bowls, the windows of the building were sewn with protective metal shields from homeless people, electricity was cut off, next to lightboxes and to destroy the roof with its roots … but even such a romantic ruin attracted with its extraordinariness appearance. Thus, in 2020, the Dzherelo pavilion was re-opened for the first time by Dana Kosmina, Alina Kleytman, and Mykola Ridnyi with the pop-up exhibition Gradual Loss of Sight as a part of the Tbilisi Architecture Biennale in Kyiv. A year later, the curatorial group Wet hole (Dana Kosmina, Alina Kleytman, Nikita Kadan) carried out repair works at their own expense, returning the authentic appearance of the building, in cooperation with local business Harms reconnected the building to electricity and with the support of the Ukrainian Cultural Foundation launched an exhibition series Bodies in the City. Today the pavilion performs an exhibition function and provides citizens with contemporary art, 24 hours a day and free of charge. History Folly “Dzherelo” by Bogdana Ukraina
19th century
1998
Dzherelo Pavilion is located in the Shevchenkivskiy district near the Golden Gate in the cozy courtyard of the former Kyivproekt. The experimental late modernist project of Dzherelo ( the Source in Ukrainian) sends viewers to different styles and even periods. Outside, the 4 brick towers that support the flat roof reminiscent of the tectonics of medieval fortresses. Inside, the square plan is framed at the corners by round rooms of 2.5 meters a diameter, where metal bowls were installed, similar to ancient sanctuaries dedicated to the water element. Dzherelo was a folly of the mid-90s in Kyiv. Currently, there are no analogs of the architecture of such a building in Ukraine. There is no information besides one unique newspaper “Khreshchatyk” 1998 found in the National Library of Ukraine named after V. I. Vernadskyi. Newspaper fund.
2019
Dzherelo Pavilion was found during the corona lockdown by the curatorial group “Wet Hole”. From 2019 the project team was working on research on how to use the building for public purpose by activating this pavilion with contemporary art open 24/7 free to access.
“Wet Hole” in 2019 found out (and kept all digital proofs) that this space has no documents and was existing for 22 years with no electricity, heatting, and a broken roof as a Blind Spot in the Kyiv landscape. Curators through the squating process started to bring back to life this urban diamond from the 90’s . This “Source” with contemporary : video-art, performances, experimental music can be even more powerful with Water Supply . Curatorial team are desperate by Klitschko politics and didn’t find any support from local governmental organizations such as Kyivvodokanal and Shevchenkivskiy District State Administration for the last 4 years.
The team of the project is open for investors who respect Architecture X Contemporary Art = Culture in Ukraine and would like to invest in the public Exhibition Space & Water Supply in Kyiv. Especially during the War we are all feeling how the question of “Water” is important!
Glory to Ukraine ! All will be Dzherelo !
please contact us on: dzherelo.online@gmail.com
2020
First but not last exhibition that opened the doors of Dzherelo “Gradual Loss of Vision” by Mykola Ridnyi , in a frame of the Tbilisi Architecture Biennial / თბილისის არქიტექტურის ბიენალე in partnership with National Art Museum of Ukraine, Kyiv.
Gradual Loss of Vision:
A theme of self-proclaimed republics in Ukraine disappeared from world media when the conflict there relatively calm down. Literally these territories and a situation around them became out of focus. This case is not a unique. On the former USSR area similar change happened with Crimea, Abhazia, South Osetia, Nagorno-Karabakh and Transnistria and there are many similar situations in the rest of the world. Gradual Loss of Vision includes a number of out-of-focus images with geographical maps of such territories combined with a series of schemes and notes explaining such meanings as field of vision, peripheral vision changes, eye exercises etc.
2021
A year later, the curatorial group Wet hole (Dana Kosmina, Alina Kleytman, Nikita Kadan) carried out repair works at their own expense, returning the authentic appearance of the building, in cooperation with local business Harms reconnected the building to electricity and with the support of the Ukrainian Cultural Foundation launched an exhibition series “Bodies in the City”. The Pavilion Dzherelo aims to represent socially oriented art and focuses on four topics. An exhibition-dialogue with the participation of one Ukranian and one international artist will frame each topic. These topics are: the freedom and restrictions of open manifestation of GENDER identity; the precarazition of WORK, invisible WORK, exploitation and other forms of control; governmental and non-governmental VIOLENCE and its political dimension; problems OF THE VISUAL ECOLOGY of the urban space.
2022
First solo exhibition in Dzherelo by young Ukrainian artist and performer Vladyslav Plisetskiy. Plisetskiy acts as a messenger from a new and free world, who is able to show curiosity and even a certain tenderness to today’s world and its decline. He disarms the doomed with a gentle touch. *Sometimes Plisetskiy, sometimes Plysetske. The use of the pronoun “he” in this text was agreed with him. The series of solo shows of young Ukrainian artists curated by `Weet Hole” planned for the 2022 season was canceled in Kyiv physical space because of the Russian full scale War.
2022 – Online Kyiv war diary
Documenta 15 . “Sky. Invasion.”
Dzherelo curators presenting a special video art selection on Documenta 15
The screening of Ukrainian video works organized by traveling Dzherelo in Kassel. Projectspace Documenta 15 during PRACTITHERIZING COUNTERINSTITUTIONS workshop. With works by Revkovskiy and Rachinskiy, R.E.P., Alina Kleytman.